North Star Rocks

I’ve been in rock and roll all my life and I’m well aware that The Rolling Stones have been called the best rock and roll band. Don’t get me wrong because I love Mick and the Stones, and the Beatles were my major musical influence, but here’s why I think that Led Zeppelin is the best rock and roll band of all time:

1. BEST PLAYERS

First of all, John Bonham was the best rock and roll drummer ever to walk the face of this planet, and that’s an informed opinion coming from a former professional drummer. John played drums unlike anyone else ever did, still does, or ever will, and that fact is continually demonstrated in the astounding breadth and depth of his recorded work. He had complete independence in all four limbs, he slammed his drums harder than anyone else, and he did it with speed and total precision, never once dropping the beat. His beats were were innovative and creative, and John was never stuck in simple grooves. His fills were innovative, creative, complex, and technically brilliant, he knew when to keep it relatively simple (i.e. Kashmir), but he was always in the stratosphere of drumming. And to top that all off, John created a giant drum sound which is unique. It inspired a host of imitators who were able to imitate the sound of his snare drum, but only with a simple backbeat. At the time that Led Zep was formed, Jimmy Page could have gotten any drummer in the world to play with him, and he chose John. There’s not one single drummer alive or dead who can begin to touch John’s power, creativity, speed, precision, and technical brilliance. I’ve heard that Jimmy still feels the same way about John as I do.

Secondly, Jimmy Page has always been one of the best rock guitarists ever, right from his earliest days as a session player and the beginning of his real public stardom in the Yardbirds. I believe that Jimmy is the most brilliantly prolific of all the great rock and roll guitarists. I suspect that Jimmy would agree with me that Jimi Hendrix was the one true genius of guitar because he came from another galaxy in terms of his sound and his use of feedback. But unfortunately, Jimi died and we will never know how much further he would have progressed. When I listen to Jimmy’s solos using the violin bow, I get the urge to put him on the same pedestal as Hendrix and wonder which galaxy they both came from. As a songwriter, Jimmy used his superior ability to play lead guitar to create actual song structure. Led Zep’s songs use not one or two of Jimmy’s incredibly powerful, complicated and unbelievably SEXY riffs in each song, but there are four, five or more riffs in some songs. Jimmy’s riffs differ from each other within each song, and also from song to song. His lead guitar playing can be HARD and sexy, he can be sensitive and beautiful, and he can be technically brilliant, all in the very same song.

Thirdly, John Paul Jones is a bass player who attained a level of brilliance comparable to Paul McCartney. Just like McCartney, John could play beautiful “melodic” bass (i.e. “Ramble On”), he could play as fast as it gets, but he also knew when to keep it simple and just hold down the bottom although I think he was incapable of doing that without utter sophistication. No one at all can touch those two on bass, and John also played consistently brilliant keyboards – piano, organ and synthesizer. The intricate way in which he wove his bass guitar playing into, through, and underneath Jimmy’s guitar playing is nothing short of perfection itself.

And last but not at all least, Robert Plant had an incredibly high vocal range, emotionally as well as in terms of octaves. Just like Dylan was for his own music, Robert’s voice was perfect for Led Zep’s music and there’s no other singer who could possibly have fit in. As a professional singer, I’m knocked out by Robert’s vocals on both a technical and an emotional level. Robert understood the concept of using his voice like a musical instrument, creating fascinating sounds without using lyrics. And Robert co-wrote with Jimmy too. A lot of the time you can’t understand his lyrics and I’ve heard that was Robert’s intent because just like Mick Jagger, all he cared about at that time was that you connect with the emotion and the energy in the totality of the music. But when you can get the lyrics (like in Stairway to Heaven, their tribute to Janis Joplin), you find a great piece of poetry. And on top of all that, Robert had the best “oooh yeahs” in the business!

2. CREATIVE SONGWRITING

Hardly anybody has ever covered Led Zep songs for very good reasons. Their song structure is based on their vastly superior playing abilities and there’s no one who can actually play what they played. I’m talking about songs that are not based on simple chords like all other rock and roll is. Jimmy and Robert based their songs on Jimmy’s riffs and on his chordal tonalities that to this day stand alone as being unique. I’m also talking about length of songs that maintain a constant and intense high, up to 11 minutes in length without resorting to an overly repetitive chorus. I know from Robert’s solo work after Led Zep that he also uses unusual tonalities in his writing, but even without actually knowing this I would have to assume that due to Jimmy Page being an erupting fountain of brilliant guitar work, the majority of the non-vocal music creation came from Jimmy. The Beatles certainly deserve abject worship for John and Paul’s creative songwriting ability, no question about that. Certainly Mick and Keith wrote a slew of classic, historic and truly memorable rock songs, but the very nature of their comparatively simple rock and roll structure and basic similarity to each other in terms of using major and minor chord progressions, simple and basic rock and roll rhythms, and verse/chorus/bridge approach defines them as being less innovative when compared to Robert and Jimmy.

3. SUM TOTAL OF BRILLIANT WORK

Here they outdistance The Stones because most of the Stones’ albums have “fillers”, which are songs that do not hit the same intense high that got slammed in all their best ones. However, I’d like to say that I don’t think either Mick or Robert is capable of recording anything short of a brilliant vocal. The Beatles actually exceed Led Zep in terms of numbers of great albums that constitute a greater body of brilliant and uniquely innovative work that literally broke new musical ground with every single song they recorded. The Beatles were simply The Beatles, and they were the most creative rock and roll band ever, from being the best singers and songwriters ever right down to their individual charm and charisma. But without denigrating their gorgeous, sensitive and original style of playing, what they recorded is not the heavy type of rock and roll that either the Stones or Led Zep played. George, Paul and John were all brilliant and creative guitarists, but because they did not improvise on stage, they were not really master guitarists. I love and respect Ringo as both a person and as a very creative drummer who mastered the art of drum sounds. He has his own unmistakable Ringo style for both, but he’s not really a master drummer in the sense of being able to play with great speed and dexterity. I’m talking about 9 Led Zep albums chock full of brilliant and intensely high songs – I don’t know how many hours of great rock and roll listening that is. There’s not a single weak track among all that work, and there’s simply no question that they consistently broke new ground musically. Their debut album is still the best one of all time (including Cream’s), and Coda, their “swan song” is equally perfect.

4. STAGE PRESENCE

Led Zep was there when the concept of “rock and roll star” was still evolving. I will grant that the Stones at least deserve honorable mention as the best rock and roll band but it’s mostly because of their impressive touring record and Mick’s superstar stage presence with his ability to put on a great show every single time he appears. And he’s still doing it at age 60 for goodness sake! My point isn’t that Led Zep necessarily had the best stage presence, just that they did have a true rock star sexual aura.

I could go on about Jimmy Page’s abilities as a producer, and there are other aspects to their greatness like the length of time they were together without a change of band members. And the life they actually led as archtypical wild rock and roll bad boys equals the life led by the Rolling Stones in intensity, if not length. Both bands are perfect examples on an artistic level of what I call FORM = CONTENT, which in this case means that these two rock and roll bands personified the rock and roll life.

In conclusion, the above four categories do enough to fully qualify Led Zeppelin for my not-so-humble award. There will never be another rock and roll band to approach the stratospheric musical heights that Led Zep reached. The Recording Industry Association of America, who has the correct statistics, lists Led Zeppelin as the third best selling musical act/artist in history. The Beatles are first, with 166.5 million albums sold in the USA alone, Elvis is second with 117.5 million, and Led Zep is third with 106 million. I think it’s very significant that those statistics are becoming geometrically times greater than the number of albums that they sold during their performance lifetimes. What has happened and is happening is that the young people of today are discovering them in droves because they are coming of age sexually and they recognize and connect with the most powerful musical example of that sexual power. They are buying their CD’s, shirts, posters and other memorabilia. And frankly, I’m thrilled.

The Pro’s (and woes!) of becoming a Mobile D.J!

So how do you become a Mobile D.J?, easy!, just call yourself one!. There are no diploma’s or qualifications and no graduation ceremony. However the time may come where you are called upon to demonstrate your D.J’ing skills and often this will be in front of 100′s of people at your first gig. Entertaining such a a large number of people can be a very daunting and nerve racking task.

Not just music and flashing lights

Mobile D.J’ing is different to club or radio D.J’ing. Just spending a fortune on the very latest equipment and latest chart music won’t make you a successful D.J or get you re-booked. Being a Mobile D.J is also about being an entertainer, rather then just being a Jukebox surrounded by lots of pretty lights!. You will also have to play a lot of music genres which you may not otherwise choose to listen to by choice.

A successful D.J is one who plays to his or her Audience, who can break the ice at difficult functions and who isn’t out to satisfy their own ego’s. Most D.J’s learn to “read” the audience, and are frequently watching the dancefloor to gauge what music will work next. At Mobile Functions such as Weddings, your audience may take some time to get onto the dancefloor and this is where Microphone work is important in order to break the ice, make your audience feel welcome and encourage them onto the dancefloor.

Where and how can I learn D.J skills and get advice?

Some people simply may not be cut out to D.J. Others may pick up the skills in a few months, others may take a year or longer. There is no hard or fast rule to learning the basics. The best, and often the most successful route to becoming a D.J is by helping another D.J at weekends.

Consider volunteering your services to another D.J locally. Helping out as a “Roadie” may not be financially rewarding but you are essentially learning new skills for free, which would cost you

You are probably wondering how celebrities like Jennifer Aniston, Jessica Simpson & Hilary Duff look so gorgeous all the time? How does their hair always look so perfect and well-conditioned?

What’s the Secret?

Well the secret is in the tools, the products and the stylist.
You can create these looks at home, and one of the best tips is:- the less time you spend on it the better it will look. Now you are probably wondering how, but if you think it takes 8-20mins to straighten your hair, you may start to believe me.

Here’s some great tips that you can use at home that will help you to look even better. These tips come not only from personal experiences but also from the celebrity stylists, who help to create a great red carpet look.

So here we go, read on for the ultimate in celebrity hair tips.

How to get that “Going to the Oscars” Glamour

Whenever you see a picture of a celebrity on the red carpet, you are probably thinking how amazing they look. And what you can see is a hairstyle that has taken months of planning and trips to the stylists in order to look absolutely Hollywood perfect.

Before the big event, the celebrity will consult with their stylist about how they want to look, but also ask advice from their hairdressers on how to look up to date, but also very sexy and feminine.

Those who kept up with the times on the red carpet this year went for very large Hollywood curls, with an extra rich colour and shine. To recreate this look here are some tips on how to curl your hair so you can look just as elegant.

Create Great Curls

If you have just bought yourself some very expensive straighteners, or you are thinking about it, why not consider the idea of curling your hair with straighteners? You can get more controllable curls which are far easier to manage than your natural hair is!

Try:-

1. Make sure that your hair is semi-straight, or if not straighten it.
2. Spray on some heat-protection spray and then divide your hair into sections. The fewer the number of sections the tighter the curls will be.
3. Take the straightener and clamp it over the top of the section, then whilst pulling down the straighteners turn the straightener round. To produce a tighter curl clamp harder with the straighteners and pull harder when you bring it down.
4. Do not brush your hair after you have done this, but simply tease through with your fingers.
And add some shine spray.

Another way to curl your hair that always creates great celebrity styles hair effect is to use some heated rollers. The type of rollers that you should get should depend on how long and thick your hair is, and how tight the curl that you want to achieve is.

For short thin hair try using a straightener (the above method) or tongs, for thick medium length hair to use some medium sized heated rollers and for really long hair I would use some very large velcro rollers. Try using these on wet hair and then drying off with a hair dryer (be sure to have plenty of hair grips on hand however).

The most perfect thing about celebrities hair is that it always appears in perfect condition. Just think, can you remember every seeing Jennifer Aniston with her hair looking messed up?!
Many celebrities will have plenty of deep conditioning treatments at their salon before the big event. These treatments will vary from Damage Restructuring to Deep Conditioning and Detoxifying.

There are plenty of high street products out there that are suitable for home use and you can pick them up on the high street for reasonable prices. I would always recommend that you look on the back and see the list of ingredients, the more chemicals it has in it, the worse it will be for your hair in the long run.

You may wish to consider trying some organic haircare products, which are not always as expensive as you think, and with organic followers like Gwyneth Paltrow and Elle McPherson you will be in great company!

Or indeed for a special event such as a prom or a ball, why not go down to your local hairdresser or beauty salon and have a hair wrap or mask? These may be quite expensive but will definitely get you the look that you desire and it’s worth treating yourself for a special event.

Always check with the salon about which treatment they think will be right for you, because not all of them will be suitable for your hair type.

Remember, you are just as special as any of those celebrities and you too can look like a star!
For further tips and ideas for how to look great, visit Celebrity Sedu Hairstyles

This article was submitted by Alissa Carter, owner of Dress Search – Evening & Prom Dresses website.

Celebrities are not like everyday people. They have busy schedules, drive expensive cars, and wear jewelry that others can only dream of owning. Maybe it is because celebrities are so far removed from normal life that they often give their babies unusual names.

Some names are just a little different. John Travolta and Kelly Preston have two beautiful children. Their daughter’s name is Ella Bleu. Their son’s name is Jett. Jett is different, but anyone who knows anything about John Travolta knows he has a love for flying. Gwyneth Paltrow, pregnant again, came under scrutiny for naming her first child Apple. While it is unusual, it is somewhat cute, like in the “apple of their eye.” Chris Martin, her husband, tired of the controversy over the name Apple, has jokingly stated their second child, whether male or female, will be named Banana. Another cute name is Dandelion, the name of Keith Richards’ daughter. Julie Roberts recently gave birth to twins – a boy and a girl – and received flack over the names she chose. She received almost as much grief over the choice for her daughter’s name, Hazel, as she did the more eccentric choice of Phinnaeus for her son.

Many people speculated what Madonna would name her first child. Lourdes Maria seems a fitting name for child who’s mother’s name is Madonna, but she often goes by Lola. Her son is named Rocco, which sounds a bit like a cartoon character, but at least it is a tough sounding name. Actor Casey Affleck and fianc

What does it take to learn to play guitar?

Playing the guitar is a great way to express yourself through music. If you feel a strong urge to learn to play the guitar, here’s a quick self-test to determine if you’re ready to take this giant step.

Test Mind and Body

Before signing on for guitar lessons, test your mind and body. Your mind should be clear to learn. Learning to play the guitar is like learning any other skill. You must have some free time to dedicate solely to learning – even if it’s only 15 minutes per day. This should be a time of total concentration when you can block out the cares of work and life to work on your lessons and practice.

Physical Health and Playing the Guitar

Your body’s physical health is also important. Playing the guitar requires holding a guitar in an upright position, either resting on your legs or held upright by a shoulder strap. Consider the strength of your back, shoulders, arms and legs. A person who suffers from severe lower back pain may find it difficult to hold a guitar for any length of time. If you know someone who owns a guitar, you can practice holding theirs to test your strengths and weaknesses.

Also, consider the physical condition of your hands, fingers and wrists. Some conditions that could hinder your playing ability include arthritis, carpal tunnel or frequent swelling of the wrists or fingers.

It’s Still Possible

Even if you have a condition that makes it difficult to play a guitar, this doesn’t mean you will never play. You can research online or talk with a professional instructor to find out if there are ways to work around your disability or physical weakness. For example, if you have back pain, you might find a lightweight guitar that’s easy to hold. Or, if you have swelling or pain in the hands, there may be exercises to help relieve the tension. Don’t give up until you’ve done the research.

The Relevance of Musical Talent

If you have natural musical talent, that’s great. However, if you don’t feel that you are naturally talented, don’t worry. You only need the desire to learn and the ability to listen, read and practice. You learn to play the guitar by taking one step at a time – or one note at a time. Without musical talent, you might have to concentrate just a little harder at the beginning, but soon you’ll find it to be similar to learning any skill.

Questions to Ask

After considering the above, answer these questions to determine your readiness to learn playing the guitar.

1) Do you have a strong desire to play the guitar?
2) Why do you want to learn to play the guitar?
3) Do you want to learn to read music or play the guitar by ear?
4) Is a guitar instructor available where you live?
5) If an instructor is not available, are you willing to learn using an online guitar course?
6) Once your guitar lessons begin, are you willing to practice at least fifteen to thirty minutes per day, five to six days a week?
7) Do you have the money to invest in a guitar?

Your answers to these questions should help you determine if you’re ready to learn how to play the guitar.

You’re only lessons away from playing great guitar music!

How many Americans are aware that the most sophisticated tools of modern communication are being used on a daily basis in a vast program of disinformation about this country and its people that is beamed into almost every country on earth?

Every time I travel abroad I see this program at work and witness its results. “I am so grateful for this opportunity to get to know you and your family,” said a Muslim woman in India in 2000. “We thought that Americans have no values, that they are materialistic, and care only about themselves. We thought there is no commitment to children and families, that everyone lives in immorality. It is so wonderful to see that these things are not true!”

Our own self-created propaganda wages daily war against us.
Whence this image of America? If someone had set out to create a powerful propaganda strategy to completely discredit a nation, they could have come up with nothing more effective than the garbage stewed up in Hollywood, marketed abroad and shown daily to billions of global citizens.

Our soaps show on a daily basis in the slums of Rio de Janeiro, Cape Town, Nairobi, Bangkok, and thousands of other cities globally. Re-selling these shows makes nice profits for Hollywood.

As Americans, we ourselves are cheapened by their presence in our homes. But at least most of us know that neither we nor our neighbors live in glistening mansions filled with lustful people looking for their next liaison.

Unfortunately most of the world does not know this. When this realization first dawned on me living abroad in the 1980s I was stunned.

People really think that what they see on TV is real life in America? Today, there is no question in my mind. Over and over again, after they have had enough chance to get to know me that they feel free to speak honestly, I have had the experience of people in Africa and Asia saying, “I didn’t realize there are ordinary, decent people living in the US. I thought everyone was…..”

To the world we are Sin City.
Hollywood’s profiteering means that to the world we are Sin City. We create and peddle, people believe, cheap and immoral sensations whose only design is to arouse unseemly hungers. We are unprincipled; materialistic; we indulge ourselves without thought, they believe, in our lusts.

This means that whenever Americans point to high standards or claim to seek the welfare of others, we are eyed with suspicion. People have pictures before their very eyes that, they believe, show who we are and how we live. Why should they trust nice words? Our inclination to lecture others on right and wrong makes us look especially hypocritical.

Worse yet, our vast military network – bases in 60 countries – and our history of frequent use of violence to advance “national interests” – we have dropped bombs in 23 countries since the end of World War II – makes us look like not only an immoral but also a ruthless giant.

Can we blame Muslims, for whom sexual modesty and purity is an important value, for finding it easy to consider us servants of Satan? Luckily, most Muslims oppose violence against America and know the Koran teaches against attacks on innocent civilians. But given the picture of us that Hollywood places on the screens of our globe every day of the year, a percentage are stirred in righteous anger. If anything, it is amazing that there is not more hatred towards us than already exists.

Many Americans are disappointed with the response of Iraqis to our occupation. Why do they not have a little patience, people wonder?

Part of the answer is that, like most of the world, Iraqis have long been skeptical of American intentions. Because they wanted to be rid of Saddam, many hoped for the best when the US invaded. But because their trust was so low to begin with, it took only a few months of errors on our part to convince Iraqis that their long-standing doubts were true.

In an age of weapons portable and powerful, no military force on earth can create security for Americans as long as the majority of human beings believe we are morally corrupt and selfish. Sadly, the truth is that moral corruption and selfishness do exist within us. But could we not at least curb the peddling of wicked exaggeration to the world?

Because we are not trusted at the most basic level of social integrity, the grim truth right now is that any military move we make that is not clearly supported by the majority of the world works against us. Not only do we look immoral, we look ruthless and unaccountable.

What it will take to build sustainable security.
Our security can never rest in futile efforts to destroy with violence every threat that dwells abroad. We cannot, as the saying goes, “chop off the head of the snake” that now threatens. When the majority distrust us, every strike, even “successful” ones, multiples our foes.

Sustainable security will come when people of the world see that we, the wealthiest and most influential nation in history, take seriously the daily well-being of others; when they believe that we care deeply about the ability of their children to get basic healthcare, good education, and jobs.

When the majority see evidence of this – and right now no honest person could point to much – the extremists of the world will gain few followers. In that day, scattered rabblerousers may still murmur and rail against us from the margins of their communities, but the world will handicap and neutralize them far more effectively than our bombs and marauding Special Forces.

In the meantime, could we insist that the entertainment moguls show some responsibility to their fellow citizens and ease off on the disinformation they are peddling abroad?

Copyright Ron Kraybill 2006.

Twenty-four young, healthy test subjects lay quietly in a university lab, listening to carefully chosen music through headphones, as doctors and technicians hovered around them meticulously measuring their vital signs. The study concluded quickly and the subjects returned to their normal everyday lives. But as the researchers began sifting through the data, something new and interesting began to emerge.

We’ve known for some time that music is a powerful relaxation tool. Music can decrease anxiety levels, lower blood pressure and heart rate, and change stress hormone levels. It affects your respiration, reduces muscle tension, increases endorphin levels, and boosts your immune system. The effect of music is so powerful, hospitals around the world use music to reduce stress in patients waiting for surgery.

Now there’s fresh evidence on the power of music to affect our health. Researchers at Italy’s University of Pavia recently confirmed that music changes your heart rate, breathing, and blood pressure. But as they analyzed their data, they found something new, something no one had expected to find.

Dr. Bernardi and his colleagues were interested in expanding the use of music to reduce stress in medical patients. Here’s how their experiment worked: the docs recorded the vital signs of 24 test volunteers (12 musicians and 12 non-musicians) for five minutes. Then the volunteers listened to six different styles of music in random order. Random two-minute pauses were inserted in each piece of music.

Here’s what they found: fast musical tempos increased heart rate, blood pressure and respiration. Slow tempos reduced them. Pretty standard stuff. But then the shocker: the style of music and the volunteers’ personal musical preferences made no difference at all. The only thing that mattered was the tempo.

It didn’t matter if the music was classical, rap, techno, romantic or an Indian raga. Only one thing made a difference to their cardiovascular systems–whether the music was fast or slow. This means that the music you hear, whether you’ve chosen it or not, whether you like it or not, is going to affect your health.

There’s more: during the silent pauses between musical selections, the test subjects’ vital signs returned to normal, in some cases stabilizing at healthier levels than before the music. The researchers say this suggests that listening to any kind of music–fast or slow–could benefit your heart.

Finally, the study found that musicians were more sensitive to the effect than non-musicians. Musicians may have learned to breathe in time to the music, to become more alert during fast passages, and to relax when the music slows down. Whatever the reason, a good prescription for helping maintain your cardiovascular health could be to take music lessons.

lil wayne music is the largest music network in the world providing over 12 billion songs to choose from. The site is simple and user-friendly and is a great place for lil wayne fans. The user can download a software and have access to lil wayne mp3 , lil wayne mixtapes and videos.

In addition to lil waynes the site through the software that it offers provides access to music of several artists and games and movie downloads is also possible. Music from different genre like hip hop, rock , classic, rap to name a few is available to choose from .

Getting started here is extremely simple with the details to be provided being limited to only name, email address and country. The software can be downloaded by anyone who is 18 years or above. The software that the site offers is called mp3rocket . Through the Gnutella network mp3rocket provides access to a whole world of music, movies and games. An internet connection and being logged on is essential for downloading through the Gnutella network. The software is highly user-friendly and has the below mentioned feature:
Has good download speed and provides superior quality of downloaded content.
The site provides technical support and there are experts who take you through all the way.
Superior to other p2p softwares.
Can download software that is Macintosh and AOL compatible.
Free software to put all your songs on CDs and DVDs is available.

The MP3rocket software is available for FREE and if you wish to upgrade to a higher version of MP3Rocket, MP3Rocket Pro it is available for a one-time nominal fee. One can pay for the MP3RocketPro either through debit card, Paypal, credit card, e-check or even by mail.

The site respects copyright laws and downloading the software does not provide a license for copyright infringement. The software is a legal software and the site specifically mentions that it should not be used for sharing copyrighted material without permission.

Once you have downloaded the software there are three separate categories to choose from for downloading content. The three broad categories are music, movies and games. Under the music section one can choose from pop, rap, rock, hip hop to techno, jazz, country , heavy metal and blues. Downloads of newly released movies of various kinds like action, drama , classics to romance and science fiction is made very easy. The latest games downloads is possible ranging from sports, racing , action, to simulations.

Overall the site is good for those who love music as there is whole range to choose from in addition there are new , good movies and games to choose too. No downloading charges and no cost per song downloaded is a major attraction for the fans to enjoy quality music now wherever one is at home, in the car or for those lovely parties planned.

Tribute bands usually play the music of a certain to get people through the door to see the bands OWN songs thrown in between the artist of tribute. Since December 2004, I have been watching one band in particular, a Slayer tribute act. Not once, has this band added their own music to their set list. NOT ONCE. When a fan of a band (particularly Slayer) is out on the town checking out live entertainment, they what to see what they are paying for, a tribute. Not a little of this and a little of that. So, do they have their own songs? According to the drummer of the band, yes. Dead Skin Mask is the most accurate Slayer tribute band I have ever seen. Monster drum kit, stacks of amps, and most important, the ability to convey the music through that equipment. That is what really counts. There is no Slayer act out there better than Dead Skin Mask, well except for the metal masters themselves. To date I have checked out a handful of them, since I have lived all around the USA. I have contacted the drummer of the band, to get the inside info on the Dead Skin Mask project and the progress of their original music as well as the scoop on what he is up to…

Slayer Girl: So Dead Skin Mask isn’t “dead”!

Mykill: (Laugh) Nah! We are around. There are a lot of different things I’m doing. Sometimes one is put on “hold” for a bit. But, with exception of one in particular, I really enjoy my bands.

SG: Which one do you not?

M: Hahaha! I .. uhh.. Yup!

Sg: I see. DSM is writing originals now?

M: Oh yeah. It has been talk for a while, but we are in the process now. Between The 3 of them (Danny M, Joey K, Romeo V) there are some great ideas. One of the last projects, the guy wanted to write poseur ass ballads, like love song sh*t! I hate that crap. The “hair band” and bullsh*t spandex days are fortunately dead and buried. This band is into some serious music, not like the ridiculous sh*t that other guy is into.

SG: So I take it you don’t like love songs?

M: No, not really. There is what I listen to… What I buy… and what I compose. All 3 are VERY different. My CD collection would make you think I’m schizophrenic.

SG: How many projects are you involved with right now?

M: Well, a new development has arisen. A while back, I came up with this name the last band (1 person) did not like. It could have been used as a song or album title. I really wanted to use it as the name of the band, but certain people were/are set in their ridiculous ways. So, on one of the many hiatus’s this particular band had, three of us used it. The name I came up with is PAWNS OF CHRIST. Angel F, Romeo V, and I decided that we 3 will go on working together, and that will be our band name. It will have absolutely NO connection to the “other” band we were in. NOTHING at all! The music will be a combination of all our tastes combined. Not so much just that of one like before. The past endeavor was discouraging. Idiots not showing up, scheduling a practice… then not showing up, canceling shows, and so on. Real childish sh*t. Well, the three of us are sick of it. All 3 of us will now go on leaving the “problem” behind, so to speak.

SG: Issues?

M: Me? Nah!

SG: So you must practice a lot?

M: ahhll, mostly the only time I play is when we practice or play a show. The way my life is situated right now, does not really allow me to. When I need to write something, I pretty much compose it in my head, and am fortunate enough to be able to “play my thoughts”. Yea, it takes a run through or so, but not much more than that. I recall a time when what I would “play in my head” was way more difficult than I could actually do. I am glad that I have been able to develop the skills, in actual ability, to be able to do that. Real glad.

SG: What do you do to get ready before a live performance?

M: I try to get my hands on as much coffee as I can! (laugh) Usually that is difficult, though. I think we will have to add fresh coffee to our rider! I stretch a bit, do some little things to get the blood flowin. Usually the pre-show nerves and adrenalin are enough for that.

SG: So no pre-show rituals or superstitious activities?

M: Of course, blood drinking and we all talk in 3 word sentences.

SG: Really?!

M: No. I’m kidding. How are you recording this anyway?

SG: I have a receiver-mounted microphone that goes to a micro cassette. A suction cup holds it to the earpiece and it picks up both ends of the conversation.

M: Ahh.

SG: So how many songs are played at “sound check”?

M:(laugh) None! There are many factors that prevent it. Most of the time, it is because of the lame-assed bands ahead of us. They all have to COMPLETELY disassemble their sh*t in the stage. F*cking losers. There are so many reasons, it is pathetic.

SG: Who is the biggest name you have shared the stage with?

M: Biggest to me, or the “biggest” name?

SG: Both.

M: Well to the general public, the biggest names would be Judas Priest, Budgie, and George Lynch. There are a few more, but I don’t want to be obnoxious. To me, though, it has to be Fear Factory and Exodus. Once again, there are more, but I’ll stop there.

SG: What band(s) did you do that with?

M: …………(silence)

SG: Okay! What is Pawns of Christ about?

M: What does the name mean, or what is the project about?

SG: Both again.

M: Well, the definition of the project is simple, fast. The material is a style that the 3 of us could not do before due to… whatever. As for the name, uhm. Supposedly we are all here and really have no control of what is to happen. Call is fate, karma, God, whatever. There is some force that controls everything. I heard the metaphor that life is a tape that is playing. We don’t know what is ahead, but it is already recorded. We just have not “heard” it yet. We’re puppets, so to speak, no control over anything. Our actions seem like our doing, but some say it is not. Something is controlling us, moving us…just as in chess. The pawns are of the least value, therefore, they are sacrificed first. They are almost worthless. Just as humanity is, or seems to be if you look at it a certain way. Just look around you. Life is not exactly great. All the sh*t balls around, and whatnot. I don’t want to step on too many toes, so I’ll stop there. Hope I answered you somewhat.

SG: Somewhat, damn!

M: Alrighty!

SG: So ‘Pawns’ will be heavy, musically?

M: You could say that. Lyrically….I don’t want to even consider the bullsh*t it will contain. All of us are pretty god dam angry about something or other.

SG: I see in all you interviews with other people talk of your drum set. You seem to love talking about your “stuff”. What are you using?

M: And oh how I do. I am using the best. Just like when I first started back when I was 12 or 13. But today, it is on a lager scale. The drums I use are the strongest I have EVER seen. TAMA, of course. I have somewhat older ones. The toms are a combination of older ROCKSTAR DX, and newer SWINGSTAR’s. My Kicks are ROCKSTAR PRO. Also a bit older. The pedals I use vary from time to time. Mostly I use my HP-25′s. I believe they are called FLEXIFLYER. Other times I use modified IRON COBRA JR’s. I have 2 18X22 SWINGSTAR kicks still in the boxes. I just have to replace my older toms with the same sizes of newer ones. I don’t need to, but I do want to. My gear is fine as is, but new is good! So I have, right now, 2 26″ kicks, 2 MTH 100′s, 1 MTH 900, 8, 10, 12, 13, 14, 15 mounted toms and a 16 floor. Maple 3.5 X 14″ piccolo snare.
Cymbals are also top notch, especially. PAISTE. I use a combination of almost series line they came out with! RUDE, 2002, 3000, SIGNATURE, 2000, DIMENSIONS, ALPHA, PST 3, PST 5, 802, 502′s (new and older), 2000 COLORSOUND…I think that is all. If I keep going, I’ll rattle off all the sizes of each and every one!

SG: NA, NA, NA…

M: Okay, then… Sticks are VATER 3A FATBACK nylon. With VATER stick and finger tape.

SG: You wear gloves, too.

M: Yeah.

SG: I see! Are you about your projects?

M: Well, very. I will take what talent, or whatever you want to call it, as far as I’m allowed to, whatever that means.

SG: Whom do you admire, or, who influenced you?

M: DAM! No short answers for these 2! Shhhewww, where do I start? Growing up, it was Ron Bushy. My parents had 2 Iron Butterfly records I adored. Ron Tutt from Elvis fame caught my ear as well. I heard a solo he did way back when….WOW!!! During that time The Police were pretty popular. Stewart Copeland was cool. I liked his riffs. Well, I still do. Around then I was finding Alex Van Halen. I focused on him for years. As a younger kid, he was the most sought after in my little world. I really dug his work. You have to remember, ALL these drummers, I really admire. There is no order to which are “better” or not. All are so different, musically, that this is in no way a comparison.

SG: OKAY, OKAY!

M: I just want to stress that fact, that’s all. Later I got into heavier music. Drummers like Dave Lombardo, Louie Clemente, Charlie Benante, Sid Falck, Paul Bostaph, Raymond Herrera, Scott Travis…wow, I just realized that most if not all use TAMA and or PAISTE! Sh*t, coincidence? Hmm. All of them are great drummers, it only makes sense that they would also use great gear as well.

SG: So sharing the stage with JP must have been an honor and a thrill?

M: Those 2 words don’t even express what I feel when I recollect that show!

SG: What is this Internet Band I saw on the Lost Soul Forum?

M: Oh yeah, Lost Soul was my old band from back in Connecticut. The guitar player (Bryan Reilly) and I are collaborating again. It, as of yet, is just in a real beginning phase. He is putting together some riffs, and I have some drum ideas I need to record and e-mail him. I don’t know exactly what to expect with this type of arrangement. Bryan (Reilly) is great, so as for quality of the material, I am not concerned at all. It will be very good, with out a doubt. So Bryan and I are going to send ideas to one and other, and see what pops up….

SG: Sorry to cut you off, but won’t that be expensive and extremely time-consuming?

M: In today’s digital age, it is a lot easier and quicker than one would think. The worst part is writing the music. The easy part is recording and transferring files via FTP or e-mail. It is instantaneous. No more waiting for an ADAT tape or cassette through the Postal System. Don’t get me wrong. I love ADATS. That is what I record everything on. I’ll transfer the 8 tracks to the computer then convert them to a WAV or MP3 for FTP.

SG: How’s it going?

M: Software and computer glitches have delayed this way more than necessary. I’m very optimistic, though. Bryan is amazing on the geetar. Your phone bill is gonna kill you for this conversation!

SG: Nah, it is a cell and after 7pm.

M: …alright.

SG: I guess this will be my last one. I’m sure you are busy…

M: (sarcastically) OH YEAH, SURE AM!!!!

SG: …anyway, what is the largest group you have played for at one time?

M: Something close to 2,500. A bit less or bit more. Around there.

Wow! A very entertaing interview. Most musicians I interview to are way too serious. Some act as if they’re out to cure the world of its ails. RIGHT!
A big thanks to Mike for his time and cooperation. I truly appreciate it.
Check out some of his sites:

http://www.mykill.net
http://www.lostsoulband.com
http://www.pawnsofchrist.com

http://www.deadskinmask.com

Later,
SLAYER GIRL.

Symphony Orchestra or violin is the most popular instruments among the various musical instruments. It is therefore a small part of a large group of instruments that produces great effects while one hears such orchestra. The violin is the smallest of the string instruments but has the highest sound and it is almost three times as many as there are violas or cellos.

The lower string includes the viola that is a bit larger than the violin and very often used in harmony. Sometimes it gets melody but sounds very similar to violin and is tuned one fifth lower. The cello is an octave less than the viola and is played between the knees of the instrumentalist. It is having a mellow sound but doubles the violin’s melody very often. The bass is the lowest of the strings and is played standing upright. It has the same strings as the violin but it is in reverse order and several octaves lower.

Except the string instruments, very few people know that what exactly is an orchestra. Woodwind includes the flute, the clarinet, the piccolo, the bassoon, and the oboe. Piccolo is the highest of the woodwinds and is used for solos that are high enough to soar above the orchestra at many times. The flute and clarinet doubles the strings and in the recent times they have more melody. The bassoon is the lowest and is used to add color to the strings at the same time it has a lot of harmony and sometimes double the string parts. Oboe used to be an important part of the orchestra but now it is used very less.

Brass is also an important part of an orchestra and these instruments project quite a bit and are used more often in melodies. French horn is one of the most useful brasses because it easily doubles the rest of the brasses. Trumpet is also well known instrument that is rather high to soar above the orchestra to be heard.

Percussion is also important whereas tympani drum is the most important of all percussion as it provides beat as well as different tones. Snare drums, bass drums, gongs, xylophones, bells, triangles, etc. are also used.

For more information, visit music-future.com